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Timpani Tone and the Interpretation of Baroque and Classical Music de Steven L. Schweizer

Descripción - Críticas Ideally positioned to offer latter-day performers and scholars an up-to-date view of the developments in knowledge concerning 17th- and 18th-century music. The author is an accomplished timpanist, and the book takes advantage of technology to offer not only brief audio clips demonstrating the tone produced by various timpani techniques, but also 30 annotated timpani parts that detail Schweizers interpretation of select works or portions thereof... Generously illustrated and logically organized... readers will find up-to-date explanations of issues that, in most cases, have been central to timpani performance throughout history. (John Michael Cooper Early Music) Reseña del editor Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openness to the music in effectively shaping and coloring timpani parts. In an acclaimed chapter on interpretation, Schweizer explores how timpanists can use knowledge of the composer's style, psychology, and musical intentions; phrasing and articulation; the musical score; and a conductor's gestures to effectively and convincingly play a part with emotional dynamism and power. The greater part of the book is devoted to the interpretation of Baroque and Classical orchestral and choral music. Meticulously drawing on original sources and authoritative scores from the seventeenth through nineteenth centuries, Schweizer convincingly demonstrates that timpanists were capable of producing a broader range of timpani tone earlier than is normally supposed. The increase in timpani size, covered timpani mallets, and thinner timpani heads increased the quality of timpani tone; therefore, today's timpanist's need not be entirely concerned with playing with very articulate sticks. In exhaustive sections on Bach, Handel, Haydn, and Mozart, Schweizer takes the reader on an odyssey through the interpretation of their symphonic and choral music. Relying on Baroque and Classical performance practices, timpani notation, the composer's musical style, and definitive scores, he interprets timpani parts from major works of these composers. Schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring: elements necessary to effectively communicate their part to listeners. Biografía del autor Steven L. Schweizer has served as timpanist with the Topeka Symphony and Florence [SC] Symphony Orchestras. He is Associate Professor and Program Coordinator of the Political Science Department at Newberry College.

Timpani tone and the interpretation of baroque and p75 free download as pdf file pdf, text file txt or read online for free asdf Timpani tone and the interpretation of baroque and timpani tone and the interpretation of baroque and classical music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of j s bach, handel, haydn, and mozart Timpani tone and the interpretation of baroque and timpani tone and the interpretation of baroque and classical music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of j s bach, handel, haydn, and mozartin drawing on 31 years of experience, steven l schweizer focuses on the components of timpani tone and methods for producing it

Timpani tone and the interpretation of baroque and timpani tone and the interpretation of baroque and classical music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of j s bach, handel, haydn, and mozart in drawing on 31 years of experience, steven l schweizer focuses onthe components of timpani tone and methods for producing it in so doing, he discusses the importance Timpani tone and the interpretation of baroque and timpani tone and the interpretation of baroque and classical music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of j s bach, handel, haydn, and mozart in drawing on 31 years of experience, steven l schweizer focuses on the components of timpani tone and methods for producing it Timpani baroque early music instrument database timpani solo marche de timbales, by philidor cadet marieange petit, timpani charpentier te deum les arts florissants, directed by william christie harmonia mundi 901298 1989 trk 1 most baroque music calls for just two timpani, pitched a fourth apart on the tonic and dominant of the key, although there are exceptions

Detalles del Libro

• Name: Timpani Tone and the Interpretation of Baroque and Classical Music
  
• Autor: Steven L. Schweizer
  
• Categoria: Libros,Arte, cine y fotografía,Música
  
• Tamaño del archivo: 18 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

Descargar Timpani Tone and the Interpretation of Baroque and Classical Music de Steven L. Schweizer Libros Gratis en EPUB

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Timpani tone and the interpretation of baroque and timpani tone and the interpretation of baroque and classical music 9780199750412 livros na brasil Timpani tone and the interpretation of baroque and relying on baroque and classical performance practices, timpani notation, the composers musical style, and definitive scores, he interprets timpani parts from major works of these composers schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring elements necessary to effectively communicate their part to listeners Timpani tone and the interpretation of baroque and timpani tone and the interpretation of baroque and classical music is a nearexhaustive, certainly very competent and wellproduced and illustrated, study of the theory and practice of producing timpani tone in symphonic music from 1725 onwards

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